Space

My usual morning routine finds me in the studio with a cup of coffee and a knitting project. I love the early morning quiet, watching the sky lighten and the sun rise. And there is almost always some client project on the needles looking for my attention.

But this morning, I decided to spend some time reading first. I’ve pulled back to the top of my reading pile “Master Your Craft” by Tien Chiu. A book that I was very excited to purchase last summer and which has been falling ever deeper into the reading pile since. I had read a few pages when I first brought it home and was enjoying it, but production deadlines pushed it firmly into the “someday” pile.

I don’t know what prompted the shift in focus this morning, but as I read strategies for exploration, creativity and design I recalled that I have been wanting my studio time to be more than just production, more than just pushing out designs that I’ve already developed and refined. But I haven’t yet figured out how to do that. How to explore. It’s so … unstructured. There isn’t a plan to follow. And telling myself to “just play” hasn’t worked out so far.

Recently I was lunching with an artist friend, talking about this same idea and I mentioned that I’ve been wanting to try quilting and had even bought a small amount of fabric to play with. I committed, at that lunch weeks ago, to find the fabric and do something with it.

So after a few sections of the book I wandered into the studio to find the fabric. Finding it wasn’t really the issue, I knew exactly where it was, in a box marked “studio art” on a shelf in the closet. A box I packed up last summer before we moved into the new house. A box of art supplies, design prompts and fabric that I’d not made time for. As I found places for most of the box contents, I moved into a declutter and discard mindspace. I filled a bag with yarn donations from a bin that hasn’t been opened since the move. I found yarn that I thought I’d lost, and yarn that desperately needs a project to use it.

And as I was emptying and sorting and rediscovering, I realized that I wasn’t fretting at all about the production that wasn’t happening. I was allowing myself the space to be with my stuff and think about what it might want to be.

I was allowing myself space to be. To imagine. To not be manic about a deadline. It was an important first step on the way to experimenting/playing. To allowing myself to believe that there is more to my “work” than churning through production. That my growth as an artist requires having the space to try something new. And that the lifestyle I want to have is not that of a one-woman factory churning out the same thing over and over.

The fabric is on the sewing table. I didn’t get to it today, but it is out in the open waiting for me. And I thought, as I sorted, and then moved on to my current knitting project, about what my fabric might want to be.

Design challenge

Inspiration from the yarn stash

A few weeks ago a friend helped me sort through my personal yarn stash. She asked some tough questions about age of stash and intended use. We filled a donate bag and two big eBay bags and when we were done I still had LOTS of yarn. One of my most favorite yarns is Mountain Mohair from Green Mountain Spinnery. I love the colors and the feel. The slight sheen that comes from the mohair. It’s great to knit with and I’ve used it in sweaters and hats. I have a tendency though to pick up one skein of a color that tempts me. Over the years I’ve accumulated a few of these. I’ve added to my stash during their tent sale and, of course, with the leftovers from buying sweater quantities. While it is lovely to have this yarn to pet and admire, might it also be fun to knit with all of these great colors?

Part of the stash-sorting project was matching yarn to projects. Some pairings ended in divorce when I realized either that I no longer liked the pattern enough to knit it, or that I had been slightly misguided about my love for the yarn. But there is no breakup ahead between MM and I.

I decided that what I needed was a bit of a challenge. Sure, I could knit an established pattern. Trust me, I can get lost for hours looking at patterns on Ravelry. But what I wanted was to force myself to experiment a bit. Work outside of the strictures of a published pattern and the designer’s color scheme.

After a few minutes in the MM bin (one 12x12x12 cubby) I came out with 5 colors: Elderberry, Vincent’s Gold, Coral Bell, Partridgeberry and Blue Violet (clockwise from top left). I didn’t play with color wheels, or values or hues. I dove in and chose colors that I thought might work.

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My inspiration

I selected an appropriately-sized needle using the ball band gauge as a guide and remembering that I usually drop two needle sizes to match pattern gauges. My project, my canvas, was a cowl and my design source was Alice Starmore’s Book of Fair Isle Knitting which contains page after page of charted designs. My other goal for this project was to gain more experience with two-color knitting.

I didn’t do a gauge swatch. I guessed at how many stitches to cast on, again with the ball band information as a general guide. As this was an experiment I wasn’t too concerned about fit. The important part was to play around without too many strictures. So, armed with yarn, needle, and motif inspiration took off for an overnight with the knitter friend who helped with the stash assessment.  I’d put all this aside for a week or more waiting for this visit and hadn’t looked at it at all.

As I pulled the yarn out to plan my cast on I had a big “what was I thinking?” moment. These yarns are terrible together! This is going to be awful. But I’d decided ahead of time that I wasn’t going to switch anything. I was going to make this up as I went along, choosing the colors I wanted each time I changed motif.

I started with strongly contrasting colors for a corrugated rib. I knit that until it seemed long enough (5 rounds) and then opened Starmore to choose my first pattern.  I wanted to start with a 3 or 4-row pattern then move on to a taller motif.

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Deciding what to do next

As I was knitting along I was willing to consider also that the cowl would not be symmetrical from top to bottom. I was trying to counteract my strong sense of order and balance. But in the end there was only so much of my nature that I could change with this one project.  As I completed the tall center motif I realized that finishing as I had started would give me about the size cowl I wanted, so I repeated the first motif in both pattern and color and finished with the same corrugated rib.

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Far from the disaster that I expected, I have a lovely cowl. The colors work well together and I’m happy enough with this first attempt. My two-color knitting needs practice, the stitches are not as even as I’d like. And I should have worked that first round of corrugated all in knit to avoid the purl bumps (as you can see on the bottom of this picture.)  See the difference as you move into the rib at the top of the picture?  I think I’d also look for a cast-on that matched the cast-off a bit better.

I’m pleased with this. And since I’ve barely made a dent in the Mountain Mohair in that bin I’ll have to see what to knit next.

If you’d like to know more about how color inspires my designs, you can read about the Birds Eye Twill scarves I weave in my latest newsletter.

It’s nearly show time!

Very busy in Heron Pond Designs land this week.  Craft Vermont opens Friday morning at 10 am at the Sheraton Hotel and Conference Center in Burlington, VT and continues through 5 pm on Sunday.

It is my first time attending as a vendor and I’ve been weaving like mad to get ready for the show. The end of last week was a marathon of fringe twisting and sewing labels into scarves.

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Pile of labeled scarves ready to be pressed and tagged

Tags were produced.

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Next up: repacking the equipment bins for an indoor show and crossing off a few final tasks on the to-do list.

I think I’m ready! And I’m excited!! I love talking about weaving, and how I design my scarves, so I’m looking forward to seeing old friends and meeting new ones.

If you can’t get to the show, you can always email me to place an order.

See you in Burlington!

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Life imitates art

Deep in the throes of frigid weather with feet of snow on the ground, I needed to weave a scarf that said Spring.  I don’t have a lot of yarn in a spring palette, but I found some orchid tencel and a fun cord yarn with pastel fringe.  As I was weaving the scarf I glanced up at a shelf in my studio and realized that I was weaving the colors of a piece of art I’d just acquired.

scarf with art piece

 

The art is from a local artist, Meg McLean, who does these fabulous paintings of sheep in various settings.  I’d been wanting one for a while and as soon as I saw this one with the flamingoes I got out my checkbook.

The scarf is huck lace in Orchid 8/2 tencel accented with a neat cord yarn with tiny fringe every couple inches.

Well, I’m ready for spring, even if the weather isn’t cooperating!